9 Most Famous Paintings In The World

Billions of dollars of the art flow into foreign auction houses every year while gallery heads each keep tens of thousands, or hundreds of thousands, of works of art in their collections. But precious few ever attain the fame expected to genuinely be known as household names. The 10 best-known paintings of all time! Millions of euros are paid annually by art collectors who are willing to buy the most sought after works in the world. The most costly works, though, are not always the most famous paintings. Generally, the most known of these are in the possession of libraries and are very rarely sold and as such are practically priceless. We offer the top 10 most famous paintings of all time here.

Posted On December 11th, 2020

Mona Lisa

A Leonardo da Vinci painting, painted between 1503 and 1507, is The Mona Lisa. Oil on the panel is the procedure used (poplar wood). It is a portrait of a woman, possibly Lisa Gherardini, Francesco del Giocondo's third wife. At the Louvre in Paris, the portrait is on permanent display and it is one of the few creations that Leonardo himself is certain to be. The grin of the Mona Lisa is almost the highlight of the art, just as the Hermine, which is the portrait of Cecilia Gallerani for that other famous painting by Leonardo, The Lady with the Hermine.

The Last Supper

The Last Supper is a fresco painted by Duke Ludovico Sforza in the refectory of Santa Maria Delle Grazie by Leonardo da Vinci (a Dominican monastery in Milan). It is a reflection of a scene from Jesus' Last Supper, as mentioned in the Bible, which is based on John 13:21-26, in which Jesus reveals that he will be deceived by one of his twelve apostles. Worldwide, the artwork is recognised and the arrangement is an iconographic model. Because it can not be transferred, it has never been owned privately. Leonardo, however, opted for a more objective and dramatic influence by not giving a halo to anyone but by showing Judas leaning back in the shade. He also produces a rational and psychological picture in which he seeks to describe why, soon after Jesus expected the betrayal, Judas and Jesus took the bread at the same time.

The Starry Night

The Starry Night is indeed a painting by Vincent van Gogh, a post-Impressionist Dutch painter. It belongs to the national gallery of New York City's Museum of Contemporary Art. The job (oil on canvas) is 73 by 92 cm in scale. It is seen as this painter's masterpiece. Van Gogh has painted many items since 1888 that mimic The Starry Night. He related to this thesis as his study of the starry sky. The painting is a yellow-star night scene over a small town with hills. It is a view of a village with a church tower from an imagined point and a burning cypress on the left and olive trees against the hills on the right. In order to use contrasting colours, Van Gogh used Delacroix.

The Scream

The Scream is the name of Edvard Munch's four 1893 drawings and a lithograph. The original edition of the 1893 scream hangs at Oslo's National Museum of Art (Nasjonalgalleriet). It is considered Munch's most moving painting. It conveys the spiritual distress and the mental harassment suffered by the painter at those times of his life. Munch was an expressionist precursor, a style that required feelings to be conveyed. The Scream, by Edvard Munch, is a psychic self-portrait. It is a painting focused on his own experience of trauma.

Guernica

Guernica is a 1937 painting by Pablo Picasso, named after the area of Guernica in the Spanish Basque Country. The justification for the painting is the bombing of Guernica by the Francisco Franco-led fascists, to break the Republican opposition. With its immense proportions, 3.49 m high and 7.76 m tall, the artwork is one of the most remarkable and divisive works by Picasso. During the bombing, the painting depicts the area. Around the same moment, there is a lot to see in the painting. A horse in a panic runs into a building. Someone flies off the burning roof on the right and a woman screams for her dead son.

The Kiss

The beloved "The Kiss." of Gustav Klimt. In the highly decorated robes worn by the romantic, life-sized couple, Byzantine artistic influences can be seen from Klimt's "Golden Period," The Upper Belvedere claims that Klimt makes a The Kiss," with "general allegorical statement about love being at the heart of human existence." Despite its magnetic charm, people tend to agree with it. "The Kiss" is not for sale, and Klimt's other works are purchased and sold for large amounts.

The Girl With The Pearl Earring

A portrait from 1665-1667 by the Dutch master Johannes Vermeer is a Child with a Pearl Earring. The Girl with a Pearl Earring has been the most beloved painting by Vermeer in recent years. The work is in the Mauritshuis' possession in The Hague. None of the models from Vermeer have ever been named and this refers to this girl as well. His eldest daughter, Maria, who was twelve or thirteen years old at the time, is a potential candidate.

The Birth of Venus

The Birth of Venus is a painting by Sandro Botticelli, an Italian painter. It hangs in the Uffizi Gallery in Florence, the Italian capital. The drawing is made on canvas using tempera and measures 172.5 cm by 278.5 cm. As mentioned in Greek mythology, it portrays the goddess Venus emerging as a mature woman from the sea. However, the naming of the novel is not completely associated with the occurrence portrayed in it, because according to mythology, Venus was born from the foam of the sea. This shot, however, shows her arrival, standing on a shell, in Cyprus. A shell was a symbol for a vagina in classical antiquity. The pose of the Venus of Botticelli is reminiscent of the Venus de Medici, a classic antique marble sculpture in the Medici series that Botticelli had studied. On one of the Italian euro coins, a detail of the painting is used as an illustration.

Las Meninas

Housed in the iconic (and vast) Prado, "Las Meninas" is not only the most famous painting of Diego Velázquez, but it is also one of his largest. For decades, the work's complexity has intrigued art critics and the public. As a portrait, the drawing serves double duty. It acts as a group portrait of Spanish royalty, and it is also a self-portrait of Velázquez at work herself. King Philip IV of Spain, who ruled from 1621 to 1665, created "Las Meninas". Until 1819, when it went to the Prado, it sat in the royal palace.